With references to the field of archaeology, my recent work which consists of painting, sculptural assemblage and combinations of both,
explores the themes of discovery, time and transformation.  My practice also draws inspiration from ancient mythology.

In my sculpture, I use objects reclaimed from the street, from bins on trash day, from thrift shops and from my studio.  Some are made of
weathered wood or rusted metal, suggesting age and a time gone by and other objects are no longer needed, discarded and perhaps
forgotten.  They become a starting point for something new and re-emerge, transformed into fresh compositions, given new life and meaning.

Just as the archaeologist's exploration involves destruction and reconstruction, the surfaces of my paintings and painting/sculpture combinations
are worked and reworked over time, a process of applying paint and then scraping it off, digging and finally consolidating and solidifying when
heat is applied.  Materials in my painting practice include oil, wax, sand, glass, shells and minerals.   Sometimes I use shards of plaster, remnants
from the  sculptural assemblages.  Some have impressions and indentations that remind me of fossils.  The painting surfaces are rough and crude
on the one hand and have a hint of sparkle on the other that call to mind weathered walls with flicks of sunlight.  Lines crisscrossing the surfaces
are dug deep and might be viewed as large drawings.

A third dimension is sometimes created by adding sculptural elements to the painting surfaces or by placing them on an attached shelf.  These combination pieces are often wrapped in wire in the configuration of a grid resembling a window, inviting the viewer to come up close to discover the artifacts within.